For me, in ‘I Burn Incenses before Sleep’, Ezenwa-Ohaeto reached a height of honesty, passion and vulnerability, one that flawlessly implements its didactics and has the power to affect people, things and systems that we hold on to religiously.
REVIEW: IKWUEMESIBE’S ‘THE BIG MAN’ DOMESTICATES THEMES AND DICTION TO SUIT HIS READERS
A COMPENDIUM OF NIGERIA’S LITERARY FEATS AND DEFEATS IN 2018 BY IZUNNA OKAFOR
WHAT IS THE PROBLEM WITH NIGERIAN LITERATURE: A TREATISE BY HILLARY UGO UZOMBA
IN ‘WHAT CAN WORDS DO’, KUKOGHO ANNOUNCED HIS UNPRETENTIOUS ARRIVAL AS A VOICE WE WILL CONTINUE TO LISTEN TO
Despite the elegance, finesse and alluring cadence of the rhyme and rhythm of the verses which announce a sophistication of style and aesthetics, Kukogho does not lose sight of the critical issues of deprivation and distortion that pervade the land and which require urgent redress.