You see, the migrant’s tragedy is not merely displacement, but also the denial of their potential. Opportunities—once alluring mirages from home—vanish at the point of need, leaving only the echo of the cruel refrain, “Go back where you came from.” Each rejection carves another notch on the tally of our exile.
Roving Bodies | An essay by Edwin Mamman
One of the difficult parts of moving was having to explain to friends and neighbours why we’d no longer be living ‘here’ next year. Saying goodbye and ending friendships you had forged. It was always sad to leave people behind.
“The Craft Of Poetry Writing Is Rooted In The Pursuit Of One’s Voice”: A CỌ́N-SCÌÒ Magazine ‘Migration’ Issue Interview with Ayomide Bayowa
The craft of poetry writing is rooted in the pursuit of one’s voice, an elusive element that can be found within oneself, whether it be deep within the vocal cords or buried within the pits of one’s impressions.
Editor’s Note: A New Chapter on the ‘Migration’ Route — CỌ́N-SCÌÒ Magazine Issue 3, VOL 1 (Dec 2023)
Our December 2023 Issue “Migration” is out! Dive into the pages, lose yourself in the verses, and let the stories guide you across the diverse landscapes of Migration. We hope you find not just a reflection of yourselves, but a glimpse into the vast panorama of the human spirit in motion.
Burning Dirt | a short story by Urhuru
“So, you….” Alex stares at his hands “… you don become my padi abi?”
Timi laughs as he walks towards Alex, “Ehen na’’. And they shake hands, in the weird way that guys do.
5 Tips For Mastering the Art of Excellent Poetry: Illustrated with African Poetic Gems
Incorporate these five tips into your poetry writing process to create verses that are not only excellent but also deeply resonant. Learn from the rich heritage of African poetry, and let your words take flight.
EMMANUEL AYOOLA’S ‘THE WIG AND THE STREETS’ TACKLES SERIOUS EXPERIENCES IN THE LEGAL PROFESSION WITH WELL-TIMED DOSES OF WITTICISM AND HUMOUR | a review by Onis Sampson
Brilliantly written with language rich in figurative expressions and devices and stories hard to forget, ‘The Wig and the Streets’ is a testament to Ayoola’s mastery of good storytelling.
TIME TO PIPE PEPPERY VERSES — OF LUSH IMAGERIES, ORIGINAL & WITTY METAPHORS | A Review of James Eze’s NLNG Prize 2022 Longlisted “dispossessed” by Ugochukwu Anadi
dispossessed, with lush imageries and original and witty metaphors presents us with the chronicles of Eze’s growth as a poet, his intellectual maturation and the heights of his social consciousness.
OF IMAGINATIONS & IMBIBING: A BOOK LOVER’S TRIBUTE TO AFRICA’S FINEST AUTHORS | an essay by Enit’ayanfe Ayosojumi Akinsanya
They merged all the way from my childhood and became the flame in my rocket today. It is only natural that, like murals, their portraits keep surfacing in my works, and yet, they leave me whole, undefiled, true, the writer child they had raised.
BUILDING A COMMUNITY OF NOTABLE AFRICAN WRITERS: WALE OKEDIRAN’S REMARKABLE LITERARY MASONRY IN NIGERIA’S ARTS SPACE | A CỌ́N-SCÌÒ PACESETTER PROFILE
It is easier for people to hold on and keep on giving their all when they know they have an army of supporters solidly behind them. Through the Ebedi Residency, which has become a comfortable home for many Nigerian writers, Okediran contributes his quota to the growth of “the community” he advocates for.